Fugue for Composers
My fellow musicians,
I am building a fugue curriculum through Youtube and my website that will allow composers and performers to surpass the mental and technical blocks that convince us that we cannot compose a fugue.
I have started with a series called Are You Ready for Fugue?, in which I will expose the mental blocks that keep us stuck, as well as show the technical skills that you will need.
Are You Ready for Fugue?
Ep 1: Modulations
In episode 1, we will look at fugue readiness from the perspective of modulations. In part 1, I breakdown the conventional thinking about fugue, and expose what you really need to know in order to embark on your fugue journey. In part 2, I will show real world excerpts from my second fugue from Salammbô, my opera-ballet, and point out what skills you can work on so that you can modulate with ease in your fugue.
Pt 1: Mental & Technical Blocks
Episode Guide (pt 1)
0:00 Brief Introduction
1:07 Struggling With Fugue?
2:20 Too Much Counterpoint
5:02 16th Century vs. 18th Century
8:26 Fundamentals of Harmony
9:18 Teachers That Keep Us Stuck
11:16 The Over-Worship of Bach & 18th Century Style
16:51 Next Steps
18:02 Le Visage Odieux for Men’s Chorus (my first fugue)
Pt 2: Harmony
Episode Guide (pt 2)
0:00 Introduction
1:46 Harmonic Reduction
3:10 Get Better at Modulations
5:06 Confirm a Modulation
6:04 Set up a Destination Key
7:44 Flexibility in Moving Around a Chord
9:18 Essential Harmony
10:43 Plan Out the Harmony
11:09 Voice Exchange
11:29 Hear the Dominant
12:12 Compose Your Fugue
12:32 Quiz on Modulations
Quiz on Modulations
The deadline for submitting your quiz results for evaluation has passed (December 31st, 2025).
I am now reviewing the submissions and will provide feedback on how to get ready for fugue
from a modulations perspective in an upcoming video. (updated March 1st, 2026)
How the French Learn Fugue
Hi Everyone,
In the French study of fugue, you are given a 'basse fuguée,' or completed bass line from a fugue, and you must realize the upper 3 voices. You will need to decode the fugue, and figure out the subject itself, any mutations, the counter subject, as well as repurpose any material you find in the bass part provided, so that the fugue 'writes itself,' because you have successfully uncovered all of its elements.
The advantage of this method is that the structure has already been provided (subject/response, counter subject, sequences, keys, cadences, phrases), and you can focus on hearing the fugue itself. You will get accustomed to the norms of fugue composition: when/how to mutate the response, where to begin a modulation, and when/how to incorporate pedals & stretto. Very importantly, you will figure out hands-on how to modulate between keys, which is one of the hidden gems of fugue composition. The French method is very difficult, but it is the only method to learning fugue that I have found that is objective in nature, because you are required to submit to an 18th century style, with clear norms & standards.
On the other hand, I think that there are limits to this type of study: you will not be composing, but you will writing, that is, your individual expression is forbidden, as you will be writing and decoding another composer's fugue. Most importantly, the hardest part about fugue, the management of keys, has already been figured out: keys, cadences, phrases, as well as their proportions, so from an architectural point of view, though you will definitely grow a lot through this study, later when you try to compose your own fugue, in your own style, you may still feel 'lost.'
I feel very strongly that there is great promise in the French method of learning fugue, while recognizing that certain composers may feel that it is too strict, and would benefit from a more direct path, allowing them to compose in their own language, which I am currently investigating. If you feel that this may apply to, you, you can watch The Hardest Part About Composing a Fugue, Ep. 1, on Youtube, in which I offer a strategy for composing the ending of your fugue.
For the time being, I have seen a large interest in the How the French Learn Fugue series on Youtube, so I will continue testing it out for 2025-2026, and will make a decision in Spring 2026 as to its future.
Best of luck with your fugues,
Barney (updated Nov 26th, 2025)
How the French Learn Fugue (Full Shorts Tutorials)
for working on specific skills
Resources
Blank Staff Paper
(22 Staves)
Watch the "How the French Learn Fugue" on Youtube for tips & strategies on realization
Sequences That Modulate
Hi everyone. Here is a sequence exercise geared towards mastery of modulations for fugue. The sequence turns into a cadential formula, to confirm the new key. The exercise must be performed in full, without separating the sequence from
its destination key. Practice in different keys and singing or leaving out different voices. Do not spend more than 20
minutes a day on this exercise, maximum 5 days/week.
-Barney. (updated Nov 23rd)




